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Media Strikes Back · Unit 2 · Written Codes

Read the Screen

the words are never neutral

Every media product is full of language — the words you read on screen (titles, subtitles, credits, signs) and the words you hear spoken (dialogue, voice-over, delivery). None of it is accidental. Work the two desks, then pass The Last Word to earn your Written Codes certificate.

The newsroom

Two desks. One last word.

Work both desks in any order. Clear them to unlock The Last Word — pass it and the certificate is yours.

Desk 01 · The Title Desk

WRITTEN · PRINTED LANGUAGE

The brief

Printed language is the on-screen text inside a media product — and how it looks (typeface, size, colour, movement) is part of the message. Four forms to know: intertitles, subtitles, titles & credits, and diegetic text.

Beat 1 · Name the form

One more — this frame is built, not borrowed. Read it:

OPEN ALL NITE 🚶
Don't come home. He knows.now · iMessage
A constructed frame · not from a film

Beat 2 · You're the title designer

A title font is a promise about the story. Match each brief to the lettering that keeps it.

Desk 02 · The Voice Booth

WRITTEN · SPOKEN LANGUAGE

The brief

Spoken language is the words characters speak — and the gap between what is said and how it's said. Listen for dialogue & subtext, voice-over, accent & register, and delivery & direct address.

Beat 1 · Same words, four voices

Two words: “You're late.” Match each delivery to the meaning it creates.

Beat 2 · The monotone masterclass

Ferris Bueller's Day Off (1986). The words are ordinary. Watch what the delivery does to them.

Ferris Bueller's Day Off (1986) · dir. John Hughes

Beat 3 · Straya, the vibe, and the register

The Castle (1997). A suburban solicitor argues Australia's highest court. Listen to what he says — and how far the register is from where he's standing.

The Castle (1997) · dir. Rob Sitch

The Last Word

6 READS · PASS 5